Carly and Nick at Notley Tythe Barn, Long Crendon

In the heart of Buckinghamshire lies a tiny little village called Long Crendon. Nestled in the rolling hills is the picturesque Notley Tythe Barn, my wedding photography destination for Carly and Nick’s wedding. Having grown-up in Bucks you’d think I would have had an inkling as to where on earth this village was, alas it is such a hidden gem that I did resort to TomTom to direct me through the winding lanes of deepest rural England to photograph their Buckinghamshire wedding.

To set the scene: an ecstatic Carly who woke up to the sound of dad starting the rustic engine of Carly’s wedding surprise – her wedding carriage – a resplendent baby-blue VW Camper Van. A seriously talented mum who made not one but three impressive wedding cakes.

Baby Blue Wedding Camper Van - Mat Smith Photography

 

I’m such a sucker for the sunset portrait, I cannot resist…

Classic Autumn Sunset Wedding Portrait - Nick and Carly - Notley Tythe Barn Long Crendon - Mat Smith Photography

Mat Smith Photography - Country Lane Wedding Portrait - Nick and Carly - Notley Tythe Barn Long Crendon  Exchanging Of Vows at Notley Tythe Barn Buckinghamshire Wedding Photography - Mat Smith Photography

Within the Sound of the Bow Bells

The wedding of Kathryn and Phil last week was truly within the sound of the Bow Bells. In fact it was deafening, and most certainly a challenge for a photographer trying to gather everyone for the all-important confetti shot outside the church. I’ve never heard bells like them!

Hydrangea Flower Bouquets for Bridesmaids - A City of London Wedding

Ushers at St Mary Le Bow - Mat Smith Photography

I was apparently born within the sound of the Bow Bells which technically makes me cockney. I’ve done my best to lose the accent… #homecountiesupbringing

Mat Smith Photography - Bow Churchyard - Wedding

A Wedding in St Mary Le Bow, London - Bride and Groom - Mat Smith

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Rebecca and Edwin, Wonersh, Surrey

Last weekend took me to the lovely Home Counties village of Wonersh in Surrey. I’m a real barn-watcher-geek; the barns in this part of the country are amongst the best and most photogenic barns you could imagine. I wish they published more histories of barns. Nurscombe Barn dates back to the 16th Century and I bet there are some very interesting stories behind some of them.

It was one of those days where you wondered if the weather might be a bit soggy (in true British fashion, there was rain then there was no rain, rinse and repeat…) however as soon as the church formalities were out of the way, so were the rain clouds. In fact, I’m always excited when there are a few clouds because it adds the potential for a dramatic sky.

And a dramatic sky there was. And some of Surrey’s finest fields.

A quick behind-the-scenes shot first. Rebecca literally grabbed the camera from my hands and insisted on taking shots of the crew, her groom securing the light stand…

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Luckily Rebecca and Ed allowed me behind the camera again, and because we timed our shoot for sunset, this is the final portrait we got:

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Cut to earlier in the day, there were some gorgeous moments by the blossoms:

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The groom taking a moment to clear his head before his speech:

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Skip forward a few hours. Just as I was getting ready to leave, I spotted an annexe to the barn, and saw an outdoor light flooding through the slats from the side. A few other photographers happened to be at the wedding, and we decided to make a makeshift studio and photograph guests. (One of the photographers even happened to have an orange gel for my light to balance the halogen colour from the light coming in from the side. Wedding guests with lighting gels… nice.)

So after shooting guests for a while in the barn, we tore the newly married couple away from the celebrations for one last late-night portrait:

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Then – the fireworks at the end of the evening…

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My first White Winter Wedding!

Ahh, white winters in the UK.

This year we have been blessed with closing airports, roads that have ground to a halt, political blame being hurled around; why can’t we just accept that we humans are a slave to our surrounding environment, that it’s impossible to predict the weather with 100% accuracy, and enjoy the ride?

Or maybe it’s because it simply doesn’t inconvenience me that much – either way I absolutely LOVE the snowy weather.

We were in two minds as to whether or not to venture out from the warmth of the 12th Century Tithe Barn (part of Ye Olde Bell, Hurley) into the fluffy snow for the formal photos, and I did worry about asking freezing bridesmaids with high heels to wait around, but I’m so glad we did.

Nikki and Tom were married on Saturday 18th December in the picturesque village of Hurley.

Mat Smith Photography - Nikki and Tom walking in Shepherd's Lane, Hurley

Mat Smith Photography - Nikki and Tom kiss in the snow outside Ye Olde Bell, Hurley Village

Mat Smith Photography - Nikki, Mirror, Anglepoise in the bridal suite

Mat Smith Photography - Christmas Mistletoe, front door in Hurley Village

Mat Smith Photography photographs the van of Postman Pat in snow, Hurley Village

Mat Smith Photography - Nikki and Tom kiss in Tithe Barn, Ye Olde Bell, Hurley

Mat Smith Photography - Bridal Preparations, Roses and Mauve Dressing Gown

Mat Smith Photography - Nikki and Tiara in Bridal Suite of Ye Olde Bell, Hurley

Mat Smith Wedding Photography - Bride with Bridesmaid outside Tithe Barn

Camera of Fun at Tom and Emily’s Wedding

Tom and Emily’s beautiful York wedding was over the Easter weekend and featured a floral theme of daffodils, expertly prepared by members of the bride and groom’s families. These were some of the loveliest floral displays I have seen – although I am biased because I’m a bit of a daffodil fanatic myself. Colourful flower photos to follow!

After the wedding ceremony, dinner, and speeches, we set to work on the photobooth studio a.k.a. the Camera of Fun. See below…

[pro-player image=”http://www.matsmithphotography.com/photolife-blog/wp-content/uploads/2010/04/play2.png” type=mp4 width=”400″ height=”446″]http://www.matsmithphotography.com/photolife-blog/wp-content/uploads/2010/04/tom-emily-wedding-show/Tom-Emily.mp4[/pro-player]

mat-smith-photography-iphone-icon iPhone version here

Official wedding photos yet to be released. Guests – watch this space!

Wedding Photography and Copyright

“Can we get the copyright to the photos?”

Let’s say you hire a photographer to capture your wedding.

You are keen to know exactly what you are getting, and you want to ensure that you will get the copyright to the photos at the end. Perhaps you have heard that not all photographers will allow this.

Firstly you must understand that no professional wedding photographer will ever hand over the copyright to your photographs.

Secondly you must understand that copyright and licensing are two different things. A photographer almost always retains copyright, unless they have explicitly signed this away, for example if they are taking photographs under the banner of a company which owns the work of its employees. Or in some rare cases that the photographer signs a contract with a client such as an agency who requests ownership of copyright. (Many photographers will refuse to work for such agencies.)

Even if you have no formal written contract with your photographer, UK Intellectual Property law (specifically the Design and Patents Act 1988) states that when a photographer clicks the button, at the point the work is created, the photographer owns the copyright.

You don’t need to worry about that, though! Read on.

Instead, most photographers will provide you with a licence that allows specific things to be done with the photographs; for example they may allow you to keep low resolution copies on a DVD and print them for personal use.

Some photographers still prefer not to release digital versions of images – or to release versions with large watermarks that prevent printing by obscuring a large portion of the image – for a variety of reasons. Perhaps the photographer has a more old fashioned revenue model whereby the majority of profit comes from selling prints, alternatively the photographer may have exacting standards for photographic printing that most consumer print services do not allow for.

It is arguable that this practice is changing, and photographers are charging more and more for the photography time rather than prints of the images that are received at the end. In this sense, wedding photography has become more similar to corporate and commercial photography.

However it is also arguable that a photographer operating nearer the higher end of the market wants to maintain full artistic control and will therefore not allow for a situation where couples can make their own prints.

“So we’re not Victoria and David Beckham”

Either way, a professional photographer will always retain the copyright – except in extremely rare circumstances.

Of course, it is technically possible for a photographer to hand over the copyright, however this would allow you to sell the photographs for a large sum of money to an agency. Or worse still, put those photographs on Facebook; did you realise that a third party could legally sell those photos onto an agency without your knowledge?

You may be thinking “we aren’t exactly Angelina and Brad“, but if you think photos of your wedding might not be worth that much, think again. What if the photographer even so much as happens to snap an object quickly from the perfect angle with the perfect light, and there is a company out there who require that exact image for marketing purposes? A professional photographer is defined as someone who makes his/her money from taking photographs, and it therefore denies them the ability to continue making a living when other people get revenue from their works. That’s why pros don’t do it.

“But wait, these are photos of me!”

Secondly it helps to understand the word copyright and how this differs from intellectual property, licence, and goods.

Copyright doesn’t just mean the right to copy a photograph. The word copyright covers a whole host of things by inference: the right to email, publish online, upload to Facebook, sell, print the photograph out, even the right to crop a photograph!

The goods are the photographs themselves, in whatever form they happen to be; this could be on disc, as a download on the photographer’s website, in print, in a book.

Intellectual property (IP) is a term that describes the original idea of the work, and because it is unusual for a wedding photography idea to be capitalised on, this is something that is rarely discussed; IP is rarely transferred from one person to another in wedding photography. However it is still worth talking about, because it ties-in with copyright: the IP of a photograph is owned by the photographer. This means that even if a photograph doesn’t have a copyright notice on it, even if it has already been posted online, even if the IP is not protected in any other way (e.g. trademark), the IP by default belongs to the photographer. Even if the photograph is of someone famous, even it was taken by a freelance photographer and sold on to a newspaper, the IP belongs to the person who produced that image, the photographer. As long as there is no explicit transfer of copyright, the copyright will also remain with the photographer, even if a copyright notice is not written anywhere.

“So what does this mean?”

  1. If your wedding is shot by a professional photographer, intellectual property and copyright almost always remain with the photographer.
  2. When choosing a wedding photographer, ask what licence to the images they offer. Please respect those photographers who offer no licence at all, as this will be built into their revenue model and they will most likely charge a lot less for your wedding photography.
  3. Many photographers will assign a licence to the wedding couple that allows them to keep photo files on DVD and print for personal use. A licence needn’t be worded in legalese. A licence can be implicit upon an action: this means that if the photographer gives you a DVD with full size images, then you arguably have the licence to keep this DVD.
  4. A licence is usually specific. Assume that you are not allowed to do anything other than what is written or communicated to you in this licence. Therefore if you are given a licence to store images on DVD, disc, and print for personal use, this means you may not edit, crop, or change those photographs in any way. This would count as transforming or adapting the work. Furthermore you may not email photos or upload photos to Facebook, as this would count as publishing or distribution.
  5. Some photographers may provide a mechanism to allow for common modern usage. For example, they may provide a heavily watermarked version of the photographs for sharing with guests by email, and uploading to Facebook. Ask your photographer.

Mat Smith is a commercial, portrait, and wedding photographer based in London, UK. The above does not constitute legal advice. Always consult a member of the legal profession. Visit Mat’s portfolio here: www.matsmithphotography.com